The 2nd music video from International hardcore punk rockers album ‘The Devil’s Breath’ on The Sign Records. Directed by Baron Von Strange, Edited and Produced by GVFilm and DOP by Dan Poole of Timebomb Pictures.
The promo was premiered on Ghost Cult Magazine
The Void
Starting 2020 off with a bang! The promo video for Lucifer Star Machine’s ‘The Void’, the lead single from their new album ‘The Devil’s Breath’ on The Sign Records.
Directed by Baron Von Strange
DOP Dan Poole of Timebomb Pictures
Produced and edited by GVFilm Ltd
The Hip Priests: Deja F.U.
The new (24th!) 7″ single, ‘DEJA F.U’ (from the new album, ‘Stand For Nothing’) backed with new banger ‘NIHILIST TWIST’ is out on Speedowax Records. It is a split with the legendary ELECTRIC FRANKENSTEIN.
Filmed at the legendary Black Heart in London.
Directed by Baron Von Strange
DOP Dan Poole
Sometimes Always Never – Top Tailoring Tips
Tailor to the stars, Martin Nicholls, takes us through his top tailoring tips and tells us what it’s like working with Bill Nighy.
Written, produced, directed and edited by GVFilm for Parkland Entertainment and Magus Marketing.
DOP Dan Poole GVFilm and TImebomb Pictures.
Sometimes Always Never – Button Lip
Savile Row tailor, Martin Nicholls, explains why you should never do up the bottom button on a jacket. Promotional content for the UK Theatrical release of Sometimes Always Never for Parkland Entertainment and Magus Marketing.
GVFilm produced, directed and edited the spot.
DOP was Dan Poole GVFilm and Timebomb Pictures
DTG Video Challenge 2019 – Dolby – Next Generation Audio
In conjunction with the 2019 Summit, New Horizons, we are running a video challenge this year. Entrants have 60 seconds to explain one of 10 topics relevant to the broadcast media industry!
This is the entry from Jason Power, Senior Director of Partnerships and Standards for the Next Generation Audio category
Filmed and edited by GVFilm for Dolby EMEA.
BlueJeans Customer Story: Veon
From entrepreneurial beginnings as a startup, VEON has grown into an international telecommunications and technology business with more than 210 million customers and the ability to serve almost 10% of the world’s population.
Veon’s Amsterdam office alone holds more than 4,000 high quality video conference meetings per week. They needed an easy to use solution that provided premium video meetings and integrated with Outlook. Historically they struggled with audio and video quality from other services, especially when hosting international calls.
BlueJeans Rooms with the Dolby Conference Phone provides best-in-class background noise cancellation, excellent video quality, and a simple one-touch join experience. Audio quality issues are now extremely rare and employee complaints have dropped dramatically. Veon employees now have easy access to collaborate with one another and external partners globally.
Shot, directed, produced and edited by GVFilm for Dolby | BluJeans
The Loneliest Time
‘The Loneliest Time’ is a drama that looks at the effects of conflict from a very different angle. Directed by Cort Kristensen (The Chronicles of Narnia: The Voyage of the Dawn Treader) and written, produced and directed by Dan Poole (Muse Of Fire), the production was funded using the KICKSTARTER platform.
The film is was completed and was shot on Arri-Alexa supplied by Onsight, graded in Baselight at Technicolor and mixed in DOLBY ATMOS at Fox Studios, Los Angeles. GVFilm was proud to support the production from inception, and have created teasers and trailers for the film.
The Hip Priests: Welcome To S**T Isand
The first video and track on the Hip Priests new (fourth) album ‘Stand for Nothing’ released 11th March 2019 on Gods Candy Records (Canada), Ghost Highway Recording (Spain), Digital Warfare Records (USA) and Speedowax Records (UK).
Produced and edited by GVFilm Ltd
Directed by Baron Von Strange
DOP Dan Poole
Dolby AC4
For its dedicated AC-4 microsites, Dolby commissioned GVFilm to produce interviews and short online adverts with audio experts and business leaders.
GVFilm co-ordinated a global shoot across the UK, Germany and Sweden, providing crew and production. Content, (including interviews, case studies and content provided by other partners and production companies) was then edited, transcribed and translated to English, French and Spanish subtitled versions, all within a short deadline and approval schedule working closely with Dolby UK.