Tag: Takashi Miike

  • Graveyard Of Honor (2002)

    Tokyo, the turn of the millennium. Less a direct remake of Fukasku’s film than a radical reimagining of the same overarching premise, Miike’s film captures both the hedonism and nihilism of the modern Japanese crime scene in deliriously stylish fashion, resulting in a fascinating companion piece to the original that nonetheless stands as its own…